Pockets Full of Petrification Prosey: Fossilized Fantasies Forming Lasting Impressions by Antonie Aquino
Post date: Nov 20, 2017 7:14:40 PM
Each individual writer finds him/herself weighed down by pockets full of academia’s finest written drafts—these “paper rocks” weigh the writer into a riverbed of embedded authorship. We could consider that each writing style contains elements that reveal layers upon layers of interpretation. Metaphorically, these components run parallel with the periodic table of elements and formulate the solidification of a personalized writing process. Each periodic element makes up the hypothetical structure within writing. Similar to the writing process, the petrification process alters an organic object and leaves it with other organisms’ imprints, or rearranges its biological structure. Petrified wood once contained branching arms that possessed leaves; eventually, these leaves left and bound together to make composition catalogues—the leaves we as writers utilize and mark our meaning. This leaves the writer to write upon the fallen leaves. My personalized writing process articulately plants forests that will eventually be mesmerized, impressed, and petrified into what hopes to be an everlasting existence. To the natural senses, writing essentially embodies a paradoxical tree. Each purposeful manifestation written on the leaves undergoes weathering and naturally completes petrification through various unpredictable conditions. For instance, the process of per mineralization contains features that correspond with the writing process. Whether the body of writing be an academic paper, short fiction, poetry, a novel, a novella, or even objective news reporting, the composition of each formulaic written work contains pores to input information and give off a response.
This input and output condition solidifies how writing shares characteristics of the fossilization process. The author’s finished product is fossilized in time, but future generations of readers have the ability make the literary work malleable. This is where the reader imparts their own elemental twists on any work, which imprints his/her voice and cements a conversation. The imaginative leafy veins run in a ring-like motion similar to that of a tree’s age; the tree’s rings bear content that is boundless and most of the time difficult to calculate. Readers and authors circulate bursts of original and organic oxygen—they exhale and inhale matters that compositionally change a living object, yet find an anchor for its roots to grow deeper with each passing generation.